Marilyn Holdsworth

Broken Pieces - Rachel Thompson

Showing posts with label fantasy. Show all posts
Showing posts with label fantasy. Show all posts

Wednesday, November 26, 2014

7 Things You Don’t Know About "Moxie’s Problem" by Hank Quense @hanque99 #SciFi #Humor #Fantasy

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Seven things you don’t know about Moxie’s Problem

The original Moxie story was a short story that I couldn't sell. I loved Moxie’s character and I was determined to put her into her own novel.

I was half-way through Moxie’s Problems when I put it on the side to write a series of non-fiction books called Self-publishing Guides. I did that because I got angry at all the misinformation floating around the internet on self-publishing.

I was able to return to the Moxie novel fairly easily because I always develop a series of mind-maps for my novels before I start to write the first draft. I had maps for the major characters, the plots and subplots and a third which is a graphical synopsis. These mind-maps allowed me to get back into the novel very quickly.

Some of the adventures in the novel, especially for King Artie were originally short stories I wrote a long time ago, but were never published. The Dogs of War and the Isolde adventure are two such short stores. The initial football game between the Knights and the Saxons was a short story I sold four or five times.

Originally, the novel was set in a fantasy land and Moxie was a dwarf. Her three knightly companions were a dwarf, an elf and a human. The fantasy setting conflicted with my plan to use Camelot as a backdrop so I had to change it.

The Camelot background bothered me for a while. The problem was my story bashed against the traditional Camelot legends and not in a small way. My Camelot was radically different and I felt it would annoy reads who hoped for a retelling of the traditional legends. My solution to this problem came with a sprinkling of scifi dust. Once I realized my Camelot took place in a parallel universe, I had my justification and it even encouraged me to develop more non-traditional aspects of Camelot.

One character I really enjoyed writing about was Tristan. In the story he is Camelot’s Bard and the world’s worst poet. I wrote a number of doggerel poems for him. I also made him a schizophrenic. His warrior self and his poet self are in a constant battle for supremacy of his mind. His poet self wants to soothe enemies with words, while his warrior self wants to attack audiences with his sword.

Moxie's Problem

Do you enjoy untypical coming-of-age stories? Well, you won’t find one more untypical that Moxie’s Problem. Moxie is an obnoxious, teen-age princess who has never been outsider her father’s castle. Until now. The real world is quite different and she struggles to come to grips with reality. The story take space against a backdrop of Camelot. But it isn’t the Camelot of legends. It’s Camelot in a parallel universe. So, all bets are off!

Buy Now @ Amazon & Smashwords
Genre – Fantasy, Sci-fi
Rating – G
More details about the author
Connect with Hank Quense through Facebook & Twitter

Wednesday, September 24, 2014

Christopher Mannino on How Theatre Can Help a Writer @Ctmannino #AmWriting #WriteTip #YA

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How Theatre can help a Writer:

As a full-time theatre teacher, and stage actor for over twenty years, I’ve been fortunate enough to pursue both of my greatest passions (writing and theatre) professionally. I’d like to share some tips on how theatre can help writers.

1.   Theatre in a non-linear process
If you don't have time to write a book from start to stop, you're not alone.  Part-time writers need to be able to write their story whenever they get a chance- picking up the story wherever they left off.  My advice: become an actor in a play.  The more shows you're in, the more you'll get used to thinking non-linearly.  Even if a play takes place in chronological order, you never practice a show like that.  You'll pick up in the middle, work one scene, then start a different scene.  You need to be able to keep the chronology of a play in mind when starting in the middle.  Eventually this skill becomes second-nature, and will allow you to pick up a draft in the middle with no trouble at all.
2. Theatre builds dialogue skills
Have trouble writing believable dialogue?  Plays and musicals are nothing BUT dialogue.  You get used to language in a new way, by not just speaking it, but practicing speaking in different ways.  This builds skill at writing and using dialogue effectively in any setting.  Trying to incorporate appropriate methods of speaking into your characters voices can be very helpful.
3. Theatre builds confidence
A number of authors at my publishing house Muse It Up have mentioned feeling hesitant about in-person events.  The image of a reclusive writer, afraid of the world, is perhaps overblown, but to be fair- writing is an insular process.  What better remedy to isolation than jumping onstage in front of strangers.  Sound terrifying?  In a way, it's not you up there at all.  Drama provides a "mask" - in that it's your character onstage, not you at all.  If I was asked to read a script onstage I feel fine, but if I was aksed to tell my own story I might get nervous.  I reach into myself, and draw on that "mask" - becoming the character of myself.  It alleviates any nerves I might feel.

School of Deaths

Thirteen-year-old Suzie Sarnio always believed the Grim Reaper was a fairy tale image of a skeleton with a scythe. Now, forced to enter the College of Deaths, she finds herself training to bring souls from the Living World to the Hereafter. The task is demanding enough, but as the only female in the all-male College, she quickly becomes a target. Attacked by both classmates and strangers, Suzie is alone in a world where even her teachers want her to fail.

Caught in the middle of a plot to overthrow the World of Deaths, Suzie must uncover the reason she’s been brought there: the first female Death in a million years.

Buy Now @ Amazon & Smashwords
Genre - YA Fantasy
Rating – PG
More details about the author
Connect with Christopher Mannino through Facebook & Twitter

Friday, September 5, 2014

RJ Blain on Procrastination & Time Management @RJ_Blain #Fantasy #AmWriting #SelfPub

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I think deadlines are the one thing every adult alive has in common with each other. At some point or another, we have to deal with them. Some of us embrace our deadlines. Others run away, find a corner, and curl into a little ball, weeping at its approach, all the while fearing the consequences of missing it. Some of us sit off to the side, watching it zip by our heads, joining the pile of other missed deadlines, numb to the fact that yet another one has flown by.
I deal with deadlines on a daily basis. When I’m not novel writing, I work as a freelance developmental editor. My clients expect me to get my work done so they can get their work done. Sometimes, all I want to do is run away from an encroaching deadline and weep. Most of the time, I stare it in the eye and face it with all of the determination I can muster. And yes, there are times I watch it zip by my head and shrug it off because there was just nothing I could do about it.
So, how do I deal with deadlines and stay sane? There are days where I’m convinced I don’t deal with them and stay sane. The simple truth is that once a deadline approaches, I have to sometimes go to extreme measures to get it done. Sanity is optional. So is sleep. Sometimes, so is eating. When it takes a certain amount of time to get things done, that amount of time isn’t going to change just because the deadline approaches.
Procrastination is not your friend.
The first tip to succeeding at deadlines is to learn not to procrastinate. It won’t help you. Spending an hour a day on a project is much easier than trying to cram 20 hours of work in a 24 hour day. I’ve done days like that, and they’re hard. They hurt. They can often be avoided. If I goof off instead of work, I only have myself to blame when the deadline comes up and I’m running out of precious time.
Procrastination is a habit, and it is one that can be beaten. But, if you have to procrastinate, do things that are useful. You aren’t writing? Clean your house. Don’t want to clean your house? Well, consider writing instead. I’ve beaten many a deadline by procrastinating on other projects. It’s a vicious circle of productivity if you learn to harness procrastination as a benefit instead of a disadvantage.
Plan your Time
Planning your time is a great way to avoid the worst of the edge of a deadline. The longer the deadline, the more the buffer you should give yourself. If you have a project you anticipate taking you three months, plan your time to finish three weeks early. That should give you enough time to address any of the problems and hiccups that will happen in a project of that scale.
I recommend a week of buffer time for every month of time you’re investing in a project. Then, if you need a day off, you can take one.
Understand your Limitations 
We all have limitations. Some of us can’t work more than an hour or two on a project at a time. Some of us like working one long day a week on a project. Understand how you work best, and understand your limitations. That way, when you’re planning your time and estimating the project, you can be realistic about how you’ll accomplish it.
Rise to the Challenge
When you go into a project, have the attitude of being challenged. Have an attitude that lets you strive to do better and reach your deadline. Have the attitude that you want to accomplish your goal. Some people say mind over matter is a cliché, but it really does make a huge difference. Your perception of your deadlines makes a big difference on your ability to accomplish your goals.
Have a Little Fun with it 
The last thing I’ll leave you with is the idea that accomplishing goals and meeting deadlines can be fun and rewarding. Find a friend who will challenge you. Find a friend who also has deadlines to cope with. Tie your deadlines to a small reward, be it a handcrafted present or a prized journal. Sure, it’s a reward system, but when you and your friends do it together, it’s a lot of fun, too.
One of my friends bribes me with a journal if I have a particularly crazy month full of deadlines. If I accomplish everything I need to do, I get a reward. There is that little extra of a reward at the end of it, which makes me work harder to get it done.
Have fun with your work whenever you can. It makes beating deadlines a lot easier.
StormWithoutEnd
Kalen’s throne is his saddle, his crown is the dirt on his brow, and his right to rule is sealed in the blood that stains his hand. Few know the truth about the one-armed Rift King, and he prefers it that way. When people get too close to him, they either betray him or die. The Rift he rules cares nothing for the weak. More often than not, even the strong fail to survive.
When he’s abducted, his disappearance threatens to destroy his home, his people, and start a hopeless and bloody war. There are many who desire his death, and few who hope for his survival. With peace in the Six Kingdoms quickly crumbling, it falls on him to try to stop the conflict swiftly taking the entire continent by storm.
But something even more terrifying than the machinations of men has returned to the lands: The skreed. They haven’t been seen for a thousand years, and even the true power of the Rift King might not be enough to save his people — and the world — from destruction.
Buy Now @ Amazon
Genre - Fantasy
Rating – PG - 13
More details about the author
Connect with RJ Blain on Facebook and Twitter

Wednesday, July 16, 2014

@JordyLizama's 10 Tips for Becoming a Better Writer #AmWriting #WriteTip #Fantasy

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10 Tips for Becoming a Better Writer

Read read and read some more.

Write about everything, and I mean everything.

Don’t expect everything you write to become a novel, sometimes a meaningful paragraph is all you need.

Study grammar

Have a dictionary with you at all times, there’s nothing better than feeding your mind with new words that will allow you to better express your thoughts.

Let the words pour out of you, don’t over analyze things, that is what editing is for.

Be prepared to make changes and don’t fall in love with the first thing you write  nobody is perfect  there is always room for improvement.

Open yourself to constructive criticism.

Write for yourself, not to try and please everyone around you.
10 
Love what you do

Only time will tell if Sophia, Alec and the world are ready to accept the mission that has been passed down for many generations. This is more than a story of reincarnation. This is a story that never ended following the reign of the Greek gods. What has been hidden for thousands of years is about to surface in a small New England town. The impact on this rural village is ageless, but only the chosen time travelers know what is happening, the reason it is happening and how to control the outcome. 

The Men of Ages have walked the Earth unnoticed since the time of Greek mythology and have kept their ancient war alive by transporting the lead warrior in a most unusual time machine. There is only one way to stop the cataclysmic demise of the human race and Sophia is the answer. But, Sophia is a teenage girl faced with many human and nonhuman desires that create a tortuous path from antiquity to the present day. Love conquers all; or, so it seems.
Buy Now @ Amazon
Genre – Fantasy, YA 
Rating – PG
More details about the author
Connect with Jordana Lizama on Twitter

Saturday, March 1, 2014

#Fantasy #Author Najeev Raj Nadarajah on Family, Writing & #Books @NRNadarajah

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  1.    Tell us a bit about your family. 
My family came to Canada during winter of 1989. I was four years old and an only child then. Three years later, we became a family of four when my mother gave birth to an awkward little boy. That boy, I was told, was my brother. We grew up in a bicultural environment, where my brother and I were made to follow Tamil cultural practices and were only allowed to speak in Tamil at home. Until this day, we still hold true to our heritage, or we try, at least. However, my brother and I began speaking English with one another sometime in the late 90s and haven’t switched back since. Yes, it annoys our mother, but I don’t think she minds as long as we continue to be as close as we are.
2.     How do you work through self-doubts and fear? 
I open up my laptop and begin writing. I find that self-doubts and fear only tend to creep into one’s mind when they’re giving it the time needed to think and dwell on weaknesses that might not even be there to begin with. Why give your mind that much time to create unnecessary problems for itself? That’s why whenever I feel like bad thoughts are creeping into my mind, I push it aside and get straight to work.
3.     What scares you the most? 
Public speaking makes me nervous. Losing loved ones worries me. Both are common amongst most people. As for fear. I can confidently say I have no fears. And if I do have one, I’m not aware of it, because I’ve yet to find out what that fear is.
4.     What makes you happiest? 
I’m a very simple guy and it doesn’t take much to get me happy or to keep me happy. Now, if you’d like to know what would make me ‘happiest’, I’d have to go with my career as a writer taking off. Either that, or a world-class sushi buffet.
5.     Why do you write? 
I write because I love telling stories, and because I don’t like repeating myself (insert chuckle here).
6.     Have you always enjoyed writing?
Perhaps up until my preteen years, I wasn’t overly fond of writing. I loved telling stories, but I hated writing them down when my teachers insisted that I do so as a journal entry or a short story.
I didn’t quite have the patience for it then.
7.     What motivates you to write? 
I always finish what I start, both for my sake, as well as those who’re involved. Whenever I run low on motivation, I tell myself that somewhere out there, someone’s waiting for me to finish writing my next book and I can’t disappoint them. I then throw on my film score soundtracks and force myself to put down a few words. During the first few minutes, my brain usually curses me for pushing it to wake up. But I keep pushing at it, greasing the wheels to get my train of thought rolling. Needless to say, once I do, my brain usually thanks me for having pushed it to start working.
8.     What are you most proud of in your personal life? 
Growing up, I was often stressed and that, as a result, affected my personal life.
Having said that, the two things that I’m proud of are that I’ve learned to control my stress to the point it’s now almost nonexistent, and I’ve learned to keep my mood as mellow as possible. In the society we live in, and the hectic lifestyles we’re forced to live, it’s good to have those two traits. And because of those two traits, I’ve found a balance to my work, family, and personal lives, and it’s made all three that much better.
9.     What books did you love growing up? 
Norpert Nipkin (my first experience reading fantasy as a child), which led to The Hobbit as a preteen, and ultimately, The Lord of the Rings as a teen.
As a preteen, I also loved books by Gary Paulsen, as well as random assortments of ‘choose-your-own-adventure books’. Whatever happened to those? I’d love to see them come back.
10.  Who is your favorite author?
J.R.R. Tolkien, and the runner up is J.K. Rowling.

DreamCaster
Haunted by memories of his massacred settlement, sixteen-year-old Weaver seeks cover in a hidden refuge among the remains of a ruined city. In the midst of building a new life, Weaver discovers that he has the amazing power to cast his dreams into reality. Convinced it’s just an anomaly, Weaver ignores it. That is until he learns of a mysterious man who shares the ability, and uses his power to bring nightmares into existence and wage war on the world. The peaceful life Weaver hoped for begins to unravel as waves of chaos begin to break loose about him. In a race against time, Weaver must learn to accept his role as a dream caster and master his new power, before his new home is destroyed and humanity is pushed to the brink of extinction.
Buy @ Amazon & Smashwords
Genre – Fantasy
Rating – PG
More details about the author
Connect with Najeev Raj Nadarajah on Facebook Twitter

Tuesday, February 18, 2014

Storm Without End (Requiem for the Rift King) by RJ Blain @rj_blain #fantasy #excerpt #mustread

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Men reacted to death in different ways. Some saw their own mortality, and the fear of it consumed them. Others were consumed by their anger and hatred. A rare few accepted it and recognized what they faced and did so with pride and dignity.
There were even those who enjoyed it.
Two of the men ran forward in silence, their eyes burning with their need to strike Kalen down. Ducking beneath the blades that were held too high, he stepped to the side and onto firmer ground. Both let out startled cries as they splashed into the muck. Letting momentum guide his hand, Kalen cracked the flat of the sword across their shins. It took the slightest twist of his wrist to slice the edge through their trousers and into their flesh.
“Stop!” Derac shouted.
The man’s companions didn’t obey. Kalen stepped back and dug his toes into the moss. The sword was longer than he liked, but it was well cared for and sharp. His teachers would flay him if they learned he used the weapon like most used a scythe, but it let him add power to the strength he possessed. The sharp edge cut through flesh and bone with such ease it left a bad taste in his mouth. His victim fell before having the chance to rise from the mud.
“By the Lady of Light, stand down, Luca,” Derac pleaded.
Kalen held his ground, the bloodied sword ready. His arm ached from the strain of holding a weapon too heavy for him. Each moment where he stood still, his feet hurt almost as much as his arm did. While there was no pain from the bite marks, the burning sensation continued to creep up his arm to his shoulder. His breath came as ragged pants.
“Derac’s right,” Marist said. “We can’t kill him. If we do—”
“Enough,” Kalen interrupted, twisting around to glare at the talkative man. Marist’s teeth snapped together with an audible clacking. “I’ve no quarrel with you.”
The unspoken “yet” hung between them. Luca stepped back, spreading the distance between them, and leaned against one of the large trees. The man’s sword was held low enough to be ready for use, but not in preparation to strike. Kalen wanted to sit down or rest against something — anything — but he didn’t dare.
Enemies always waited for the first sign of weakness.
“He killed Hareth and Uthen,” Luca said in an emotionless voice.
“May the Lady of Light watch over them both,” Derac replied.
The tip of Luca’s sword touched the ground. Kalen let out a sigh, relaxed his stance, and mimicked Luca so he wouldn’t drop his weapon.
“And you’ll do nothing?” Luca whispered.
Out of the corner of his eye, Kalen glimpsed Marist shaking his head. “They attacked him first without cause. We are at fault.”
“But they’re dead!”
“And I count our blessings that we aren’t too,” Marist spat. “If you’d like to join them, you’re welcome to it, but not I, Luca. Not I.”
StormWithoutEnd
Kalen’s throne is his saddle, his crown is the dirt on his brow, and his right to rule is sealed in the blood that stains his hand. Few know the truth about the one-armed Rift King, and he prefers it that way. When people get too close to him, they either betray him or die. The Rift he rules cares nothing for the weak. More often than not, even the strong fail to survive.
When he’s abducted, his disappearance threatens to destroy his home, his people, and start a hopeless and bloody war. There are many who desire his death, and few who hope for his survival. With peace in the Six Kingdoms quickly crumbling, it falls on him to try to stop the conflict swiftly taking the entire continent by storm.
But something even more terrifying than the machinations of men has returned to the lands: The skreed. They haven’t been seen for a thousand years, and even the true power of the Rift King might not be enough to save his people — and the world — from destruction.
Buy Now @ Amazon
Genre - Fantasy
Rating – PG - 13
More details about the author
Connect with RJ Blain on Facebook and Twitter

Saturday, December 28, 2013

The Curse Giver by Dora Machado @DoraMachado

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* * *

Lusielle waited until the lady and her bodyguard left the room before she stole out of the bed. She stood up slowly, testing both her feet and her balance. The soles of her feet protested slightly as she pressed them to the floor, but then went numb. She tried taking a step.

The jars and bottles crowding the nightstand wobbled when she steadied herself on the table. She spotted an open jar. A quick whiff revealed the presence of cat’s claw, mixed with high quality fats and scented with lavender’s extract and a touch of calendula to ward off the festering. Upon further inspection, she recognized several kinds of aromatic oils to promote quick healing and the laudanum tincture that was most likely responsible for her drowsiness.

The lady’s healers had used nothing but the best ingredients. No wonder her burns were almost healed.

Dragging the linen sheet around her body, she shuffled towards the ornately framed mirror leaning against the far wall. It was a shock to see her reflection in that long, gilded mirror, disheveled, gaunt and half-naked, like a frail, helpless fool.

Lusielle found the sight alarming, because with the exception of the small hand-held mirror her husband used to supervise her when she shaved him, Aponte Rummins refused to allow mirrors in his house. He thought mirrors spoiled women, aiding in the corruption of the feminine virtues he appreciated best—modesty, obedience and humility. Vanity, he’d often said, was a woman’s blight, and he intended to protect Lusielle from the sins it engendered, including pride, arrogance and wantonness.

Ten years she had lived under Aponte’s rule. Ten lost years she would never get back.

Until today, Lusielle had never had the time or the means to examine her body in front of a full-length mirror. Releasing the crumpled sheet, she found her legs too long, her frame too thin and her feet bound in clean bandages. She also spotted a dressing covering her back.

After undoing the knots, the bandages dropped to the floor. Then for the first time she looked—really looked—at her back.

A few crooked welts snaked between her shoulder blades, marking the trail of the lash. Her skin was still red, but it was healing in the spots where the braided whip had broken through. A messy bruise surrounded the mending wound midway down her back. Craning her neck, she spotted the darker pigmentation beneath the bruise, the faint but even outline of what looked like a small pair of butterfly wings imprinted at either side of her spine.

The gods protect her. Her body indeed wielded a mark, just like the lady said!

She suppressed a rush of fear and forced herself to think. Just because she bore a mark didn’t mean that everything the lady and her bodyguard had said was true. Lusielle might come from a modest family, but she was no ignorant wench. She understood that every cauldron cooked a different mix, more so if it entailed the mighty highborn. For reasons she couldn’t yet comprehend, the Lady of Tolone wanted Lusielle gone. Thus the boots and the gold coins.

On the other hand, why stay and run the risk that the lady was right on any count? The most compelling fact supporting the women’s warning was obvious. Her rescuer was a highborn lord. He had no reason to offer Lusielle his protection and no motive to save her life. She could be of no value to him, as she wasn’t highborn and she didn’t command a ransom.

Her husband had repudiated her. Her town had turned her out. Orell had tortured her. The magistrate had condemned her to death. Under the circumstances, it didn’t seem so far-fetched that when it came to her, the grim-gazed lord had no other purpose but sport.

Nothing good could come from staying with these people.

She sensed the danger all around her. Sure, she couldn’t exactly go back home, but staying put offered more risks than advantages. She didn’t understand the Lord Brennus’s actions and she couldn’t even begin to fathom the lady’s motives, but she knew one thing—she had to trust her instincts. She had to leave.

But where could she go?

Lusielle knew she had to have a sound plan if she was going to survive. The last few weeks—no, the last ten years of her life—had taught her a brutal lesson. At sixteen, she had become an orphan and a bride. At twenty-seven, she was equally helpless and sentenced to die.

Despite her best efforts and sacrifices, she was still alone—as helpless, weak and vulnerable as she had been the day her parents died.

She wiped a stray tear from her eye. No more of that. She was done grieving, and she was tired of submitting and conforming.

She was determined to turn disaster into opportunity. To do so, she was going to have to carve out a spot in a world that had thus far refused to make space for the likes of her. She must go to the only place where she might have a chance to survive and maybe even thrive. It entailed a long and dangerous journey with no assurances, and yet it was her best—nay, her only—chance. She just had to figure out how to get there.

Her eyes fell on the money Tatyene had given her, the three gold coins glinting atop the pile of clothing on the bed. They offered a good beginning.

She donned the soft linen shift and put on the ruffled blouse and the brown skirt. She rolled the woolen hose over her bandaged feet and up her legs, then put on her boots, lacing them loosely. Because of her rescuer’s care, she’d had precious time to heal, and thanks to the healers’ efforts, her feet were mostly mended.

No excuses. This had to be done.

A quick look out the window confirmed that the rain continued to fall. She had no choice but to steal one of the oiled leather mantles she found conveniently hanging on a peg. Her eyes fell on the tray of food standing in the corner. Her stomach grumbled. After downing a bowl of broth in one long gulp, she crammed a buttered roll in her mouth and stuffed her pockets with a bunch of grapes and a few slices of ham. She would have to eat the rest on the run.

She went to the door, but hesitated at the threshold. She had a plan and she intended to follow it. But what if this Lord Brennus was simply a nice man, the last one remaining in this cruel, crazy world?

She recalled how well he had cared for her throughout their journey. Had it not been for him, she would surely be dead. Even her lips remembered his kiss’s generosity. After enduring Aponte’s harsh mouth, she fancied she could easily distinguish cruelty from kindness and voracity from honest passion. No, despite the lady’s warning, she couldn’t think of the lord who had rescued her as mean, vicious or brutal.

What if he had seen through the injustice that had befallen her? What if he had been the only person—highborn or not—willing to help her in the face of that injustice?

The risks were too many to ignore and the danger was too real to forget, but the Lord of Laonia had saved her life and even as she fled him, she didn’t have to join the ranks of the ungrateful.

Lusielle retraced her steps and rummaged through the desk. Although there was no parchment in the drawer, she found a quill and a little pot of ink. She jotted down a few words on her unlikely page and then made for the door.

She slipped out of the chamber into the corridor. She had no idea which way to go, but she had to find a way out of the seed house. Voices and lively music echoed from below. A carved stone banister overlooked the main hall. She peeked between the railings.

The Lord Brennus sat on a high-backed chair next to the Lady of Tolone across from a fire roaring in the massive hearth. He sipped from a gilded horn, listening to the lady’s chatter but staring at the fire with a sullen expression.

Lusielle could tell that he had recently arrived from whatever foray he had undertaken as his boots were wet and muddy. He was still wearing his greaves and his muscled breastplates, impressive leather-and-bronze chest armor strapped at the shoulders and embossed with swirling vines.

The music began. The tall, gaunt man who had accompanied the lord during their trip came into the chamber and joined some of the warriors who had ridden with them on the way to Tolone. She recognized their faces from her journey’s hazy memories.

Other people loitered in the great hall, the lady’s servants and retainers, talking, gaming and eating from the trays on the tables. The lady’s fierce-looking bodyguard stood behind her chair. Even the guards wearing Tolone’s colors seemed to linger in the hall, until a couple of them got up and headed for the stairs, reminding each other loudly that it was time to make their rounds.

Lusielle froze as the guards mounted the first few steps. She wasn’t sure, but she thought that the lady had spotted her, hiding behind the railings.

Without delay, the lady rose to her feet and announced that she was going to dance in ringing tones. Every eye in the room fell on the stunning woman, including those of the guards, who paused on the stairs to watch their mistress.

Lusielle crept down the hallway. She didn’t really trust the Lady of Tolone or anyone else for that matter, but she was determined not to waste her best chance to escape.

Curse Giver

Award-Winning Finalist in the fantasy category of The 2013 USA Best Book Awards, sponsored by USA Book News

Buy Now @ Amazon

Genre – Fantasy/Dark Fantasy

Rating – PG-18

More details about the author and the book

Connect with Dora Machado on Facebook & Twitter

Website http://www.doramachado.com/

Saturday, December 7, 2013

Author Interview - Dora Machado @DoraMachado

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Image of Dora Machado
How long have you been writing? And who or what inspired you to write?

I’ve been writing for publication for about seven years now. I’m inspired to write by many people and many experiences, but ultimately, I write because I can’t stop writing. I swear. I’ve tried. I just can’t. My mind is powered by this story generator that keeps going and won’t quit.

What inspired you to write this book?

I was inspired to write The Curse Giver when I came across an ancient pair of clay tablets that popped up on my screen one night while I was researching another story. The clay tablets dated from 600 BC and were part of the same collection that gave us the famous Gilgamesh epic. Visually, the tablets weren’t much to look at, chicken scratches on clay. But the translated words had a huge impact on me.

“May all these [gods] curse him with a curse that cannot be relieved, terrible and merciless, as long as he lives, may they let his name, his seed, be carried off from the land.”

I know, hardly an inspiration for most. Me? I immediately thought of the man who had been thus cursed, of the pain and hardship such a curse would bring upon him and his people, of the character that eventually became Bren, Lord of Laonia, in The Curse Giver.

I started to think: Who would cast a curse like that and why? What kind of creature could be capable of such powerful evil? What would motivate a person to curse another? A new character began to emerge in my mind, the curse giver herself, someone whose understanding of good and evil was very different from my own.

And, once cursed, how could a person defend himself? A third character emerged from this question, Lusielle, a common remedy mixer, a healer of bodies and souls, someone who didn’t realize the scope of her own strength until it began to transform her life.

With Bren, Lusielle and the curse giver thus crystalized, I set out to write this fast, plot-twisting fantasy romance about an innocent woman condemned to die for a crime she didn’t commit, who must ally with the cursed lord pledged to kill her in order to defeat the curse giver who has already conjured their ends. The Curse Giver is an epic fantasy story with brawn, brains, and lots of heart, something that I think your epic dark fantasy romance readers might enjoy.

Can you give us a go-for-the-gut answer as to why you wanted to be an author?

Nature and nurture. I was meant to write since as far back as I can remember. It helped that I was part of a family of avid readers. After I started writing, I couldn’t stop. I still can’t! That’s why I have to be an author. It’s not a choice. It was always meant to be.

What are the perks and the demands of being an author?

The biggest perk of being an author is that I get to practice the sweet craft of writing. That in itself is more than enough for me. But there are other perks as well, like setting up your own schedule, going to the office in your comfy clothes and working from home. I relish the thrill of the creative process. I get to spend my days telling stories, creating characters and coming up with plot twists. How cool is that? I love the fact that my direct supervisor is a cat and my performance evaluation comes straight from the readers. The readers are the greatest perk of all.

But there are also many demands. You need time to be an author—lots of time—and that means that other things, important things, often go by the wayside. Rest, recreation and relaxation are the first to go. You also need focus, drive and determination. You’ve got to be able to balance the self, generate ideas, put down the stories, edit, persevere and then do it all over again. You’ve got to have some staying power.

You also have to be comfortable with being alone for great portions of the journey. For most of us, the earnings curve is slow to grow while the expense curve spikes a lot faster. The physical demands of the trade are often overlooked and yet they shouldn’t be. Long hours of immobility, staring obsessively at a screen, can be both harmful and painful.

What genre would you place your books into?

Like the Stonewiser series, The Curse Giver falls into the fantasy genre and fits well in the subcategories of epic fantasy, dark fantasy and fantasy romance.

Do you choose a title first, or write the book, then choose the title?

I usually discover the title of my novels at the very moment when I write it for the first time into the story. It can happen early on, during the opening paragraph or late in the process. It’s really neat. It’s always a “wow” moment.

Do you tend to base your characters on real people, or are they totally from your imagination?

My characters belong to my imagination, and yet my imaginary worlds feel very real to me.

Do you have a certain routine you have for writing? Do you listen to music, sit in a certain chair, write in a particular place?

I’m one of those people who prefer to write in silence. I guess my mind is way too noisy as it is! I have a writing studio in my home, a cozy little room that opens up to a veranda overlooking a beautiful, spring-fed river. It’s quiet and peaceful, and it’s my favorite place to write. I like to sit in my favorite chair, an ergonomic design that offers excellent support for the long hours of writing.

Are you published for the first time or are you multi-published?

I’m a multi-published author. My first three books are part of the Stonewiser series, and they include Stonewiser: The Heart of the Stone (2009), Stonewiser: The Call of the Stone (2010), and Stonewiser: The Lament of the Stone (2012). I’m really excited about my latest book, The Curse Giver (July 2013), a stand-alone fantasy romance that has just been released by Twilight Times Books.

How do you think book publishing has changed over the years?

I think the book publishing industry has been through some cataclysmic changes in the last few years. Just look at how the rise of Amazon has completely changed the field. The advent of the e-book, the decline of the bookstore, the growth explosion of the self-publishing industry, these are only a few of the elements that have contributed to reshape the industry. From the technical innovations that have reshaped the industry, to our attitudes about reading, writing and publishing, to the shifts in how we read, buy and promote books, I’m blown away every day by how fast and thoroughly the industry is channeling change.

What is one thing you’d like to jump on the rooftop and scream about?

Common sense. Is there any of it left in the world?

Do you have any advice to give to aspiring writers?

I shy away from giving advice to aspiring writers because the journey can be very different for each one of us, and we all tackle the road in different ways. But if you pressed me on this, I would say that, above everything else, a writer has to write. So write, write often, write a lot and write with passion; and don’t forget to learn from the experience.

Can you share with us your current work in progress?
I’m currently working on several different projects, including a contemporary dark fantasy with a Latin twist and another standalone fantasy romance that takes place in the world of The Curse Giver. It’s not a sequel, not exactly, but rather a related novel. It’s currently called The Soul Chaser.  Also, the Stonewiser series is coming out in audiobook. The first book of the trilogy, Stonewiser: The Heart of the Stone, is already available at http://www.audible.com/pd/Sci-Fi-Fantasy/Stonewiser-Audiobook/B00F52CJIY/ref=sr_1_1?qid=1379186069&sr=1-1. Take a listen. It’s good, old-fashioned storytelling at its very best.

Thank you so much for this interview, Dora. We wish you much success!

Thank you for chatting with me. Best wishes for you and all your readers.
Curse Giver
Lusielle’s bleak but orderly life as a remedy mixer is shattered when she is sentenced to die for a crime she didn’t commit. She’s on the pyre, about to be burned, when a stranger breaks through the crowd and rescues her from the flames. Brennus, Lord of Laonia is the last of his line. He is caught in the grip of a mysterious curse that has murdered his kin, doomed his people and embittered his life. To defeat the curse, he must hunt a birthmark and kill the woman who bears it in the foulest of ways. Lusielle bears such a mark. Stalked by intrigue and confounded by the forbidden passion flaring between them, predator and prey must come together to defeat not only the vile curse, but also the curse giver who has already conjured their demise.

Award-Winning Finalist in the fantasy category of The 2013 USA Best Book Awards, sponsored by USA Book News

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Genre – Fantasy/Dark Fantasy
Rating – PG-18
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