Before I was a published writer and an acquisitions editor, I was a reader. I began reading romances when I was in high school. My friend Brenda and I traded books and read every Harlequin we could get hour hands on. I’m not going to tell you how long ago that was.
Over the years, I’ve collected some reading pet peeves. The editor in me can spot them in someone else’s work with ease. Unfortunately, I can get so close to my stories that sometimes I don’t see these flaws in my own writing…until a reader points them out to me, and then I want to bang my head against a wall because I know better.
So here they are…the top ten things that make me cringe as a reader and a writer.
10. When paragraphs are too long to fit on my eReader page – Even though I still LOVE the feel and smell of a real paperback in my hands, I’ve gone digital. When the paragraph fills the page without giving me a breather, I start skimming.
9. When the author goes on a tangent in the middle of an intense scene – When the story gets to the point where something important is about to happen, I don’t want the author to tell me the backstory or what the characters are wearing, set the scene, or discuss the weather.
8. When the author treats you like you’re stupid by over explaining – When an author tries to impress me how smart she is, I tune her out. If I think the writer is condescending to me as a reader, I’ll stop reading.
7. When the author dwells too much on an insignificant character – If the author tells me what the character looks like, what she thinks, where she came from, and what her cat’s name is, I expect that character to have an impact on the plot.
6. Missing scene transitions – It slows the story and lessens my enjoyment when I have to figure out how long it’s been since the last scene ended. I don’t want to struggle to understand what’s going on and when it’s happening. It makes a difference whether two hours, two days, or two years have passed.
5. Frequent typos and obvious grammatical errors – When errors are too frequent, I stop and try to refocus every time I come across an error. Too many stops and I’m going to close my eReader and watch something on Netflix.
4. Switching points of view too frequently – I can’t connect with the character when I’ve just gotten used to being inside her head and the point of view switches to another character. I can only handle being inside one person’s head at a time.
3. When characters obviously act out of character – Characters should change and grow over the course of a story, but even then, they should sound act and sound like the personality that’s been created for them. A forty-year-old man should not act or sound like a twenty-something woman unless it’s obvious he’s trying to be funny.
2. When the ending feels rushed – It leaves me unsatisfied when I’ve gotten used to the pace of a book and it ends too soon, as if the writer just wants to get the story over with. Maybe I want the plot to unravel at the pace I’ve gotten used to.
My number one pet peeve as a reader?
1. Unrealistic dialogue – I cringe when the writer tries to give me an information dump in dialogue. When one character tells another character what she is wearing or how someone is related to her, I nearly fall on the floor.
When I see these things in a book, it makes me want to turn on tracking changes and do some editing, but I found out I can’t edit a Kindle download. Too bad. Or…maybe that’s a good thing.
Sometimes the end is only the beginning.
Almost a year after her husband dies, Ellie Marston opens the file for Tab’s last manuscript, a thriller so compelling it reads like a true story. His manuscript needs an ending, so Ellie writes the obvious conclusion. The same morning she types The End, her career as an assistant district attorney falls apart. Accused of throwing the high profile Patterson case, she resigns in disgrace. The only friend she has left in the criminal justice system is Det. Paul Santiago, a man she has worked closely with on numerous cases. While she was married to Tab, she squashed her growing feelings for Paul, determined to make her deteriorating marriage work, but circumstances after Tab’s death bring Ellie and Paul together.
Ellie’s paranoia increases as she becomes convinced Patterson is harassing her, certain that someone is searching her belongings for any hidden evidence she might have that would reopen his case. It becomes clear there was a conspiracy to release Patterson. She seeks help from her former co-worker, Presley Sinclair, but soon discovers Presley is deeply involved in the subsequent cover up. Worse yet, Tab’s affair with Presley drew him into the twisted conspiracy as well.
Together Paul and Ellie attempt to uncover the conspiracy in the District Attorney’s office, the set up that forced her to resign. The key to the mystery is hidden in the pages of Tab’s manuscript. Once Paul and Ellie come to the correct conclusion—Tab’s manuscript is a true story and Ellie’s added ending is the only logical outcome—Ellie attempts to reveal Patterson’s hidden partner in the District Attorney’s office, but the co-conspirator she uncovers is not whom she suspects. Danger swirls around her as she steps further and further into the conspirator’s trap.
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Genre – Romantic Suspense
Rating – PG
More details about the author
Website http://www.denisemoncrief.com/
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